In any case, I elected to finish the poem, as I have here, though in all honesty I am not sure what this composition "means." That's all right. I may figure that out in due course. Meanwhile, as follows:
On
My Love of Country Life
The question may be raised
why we chose precisely the past of a city to compare with the past of a mind.
–Civilization
and Its Discontents
He
ruminated, cigar in crippled jaw.
Cocaine
pulsed like the strobe on that cop’s cruiser.
There’s
oceanic distance from where Freud sat
To where
I stand just now as I visit Manhattan,
Which
back in the doctor’s day was no Big Apple.
The
Sheep Meadow still held sheep. But in time they’d vanish,
The
park be thronged, and we’d raise his question–
Or I
would, comparing his moment to our own,
When
even that rim of posies by the reservoir’s
South
end at 87th seems a threat.
Imagination,
mine at least, would crave
A
village, clean, essential, if maybe not
The
one I’ve lived in so long. Are you like me?
Can
you conjure some antique European village,
Complete
with organ grinder, playful monkey,
Coins
chink-chinking softly in a cup,
Air
soft as bedclothes too? Here in the city,
That
bus’s diesel chokes me. Jackhammers rattle.
The
very pigeons move from there to there,
Cosmopolites,
while the park affects a show
Of
green among the cans and candy wrappers,
Rinds
and condoms, jugs of Sneaky Pete
In
shards. The traffic seems deployed for battle.
Its
headlamps will sweep across the stoops come dark,
Across
the benches, where mad folks rage against
The
day gone by, or politicians, sports teams.
Just
so we heard our elders, late at night,
In
our anxious puberty. They madly shrieked
Their
calumnies downstairs, and slammed their doors.
Are
you like me? Did you long for more precision?
Did
you crave an explanation? Why do I keep
Including you? You may not be like me,
Who
craved it –how I craved it– for years and years,
Some
way to make some sense of my inward city,
Though
I didn’t think in those terms, and even then,
My
mind ached likewise for another place,
The
one in which things blurred: soft nap of meadow,
The
spring blooms’ brightness muted, peasant wagons
Full
of hay gone evening-fragrant, glow
Of a
setting sun on the houses’ brick, and beasts,
Both
wild and tame, intent upon their grazing–
Their
placid grazing, narcotic, every moment
Much
like the one before, their mild jaws rolling.
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